Work Title explores the musical possibilities of multiple senses of time existing at once. The piece is loosely inspired by visual artworks that suggest overlapping moments or actions, such as

Marcel Duchamp’s Nude Descending a Staircase No. 2 and The Bride Stripped Bare by Her Bachelors, Even. Rather than illustrating these works directly, I was interested in translating their

sense of temporal overlap into sound. Throughout the piece, musical ideas interrupt and collide with one another, creating the feeling of different time layers happening simultaneously. At

other moments, material repeats in cycles, while elsewhere rhythms are stretched or compressed through augmentation and diminution, subtly shifting the listener’s sense of pacing and flow.

The title itself was unplanned: it originated as an accidental entry on a submission form. I ultimately kept it, treating it as a kind of ready-made—an unexpected but fitting frame for a piece

shaped by coincidence, overlap, and disrupted continuity.